“Jacques was a model of integrity and a man of immense generosity, especially toward young artists, Mr. Auster said. Mr. Auster stayed for a year, he said, writing most of the poems later included in his book Unearth.

Dupin and his wife, Christine, often lent to struggling writers, political refugees and others.

During a sojourn in Paris in the early 1970s, he said, he sought out the poet, who not only bought him dinner but also soon afterward gave him use of the guest room in his apartment, which Mr. Auster said he had been an ardent fan of Dupin’s poems since he stumblied on them at his local library as a young man. “Uncompromisingly hermetic in attitude and rigorously concise in utterance, Mr. Auster wrote, Mr. Dupin’s poetry demands of us not so much a reading as an absorption.” Auster’s translation of Fits and Starts: Selected Poems of Jacques Dupin (1974) was among only a handful of collections to introduce his often difficult work to readers in the United States. Dupin, as well as one of his rare English translators. The American writer Paul Auster, author of The New York Trilogy and other novels and memoirs, was a protégé and friend of Mr. In 1966 he was a founder of L’Éphémère, an influential poetry quarterly whose other founders included André du Bouchet, Yves Bonnefoy and Paul Celan. Dupin’s poetry, beginning with his first collection in 1950, earned him a parallel rank among France’s postwar avant-garde writers. It’s terrible.” He explained the process he used in making such calls, then added, “When the fake is good, my job is interesting.” Dupin scrutinized the painting’s colors, its signature, its composition, its brush strokes, The Times wrote. An article in The New York Times described him examining one piece, valued at $50,000. Dupin made a well-publicized visit to New York to judge the authenticity of several paintings said to be by Miró that were scheduled for auction. Dupin was empowered by Miró’s family as the only person authorized to authenticate his work, which had become the frequent target of fraudulent copiers. He wrote Miró’s official biography and over 10 volumes of catalog monographs on his work. Dupin’s closest relationship among artists was with Miró. The American poet John Ashbery, another friend, translated a seminal monograph written by Dupin in 1961 about Giacometti, which was published in English in 2003. Bacon and Giacometti painted his portrait.

Dupin was for a long time one of the directors of the renowned Galerie Maeght in Paris, which represented Joan Miró, Marc Chagall, Alberto Giacometti, Francis Bacon, Wassily Kandinsky and other modern artists.Īs both a poet and an art dealer, he had a wide circle of friends. He was 85.įamily members who confirmed his death said he had been ill for several years. Jacques Dupin, a poet, art critic and cultural eminence in France whose influence straddled the avant-garde literary world and the commercial market in paintings and sculptures by major 20th-century artists, died on Oct. 27 at his home in Paris. Jacques Dupin, Art Scholar and Poet, Dies at 85

Jaques dupin